Director Robert Eggers and cinematographer Jarin Blaschke return to the Go Creative Show to discuss THE NORTHMAN. Listen as Robert and Jarin boldly and honestly share their struggles and victories while making the film. Robert, Jarin, and Go Creative Show host, Ben Consoli, break down the film's fluid camera movement, how to expose for low light scenes, pros vs cons of large film crews, challenging actors with the raw elements of nature, multiple approaches to filming night exterior scenes, and more! YOU WILL LEARN: ✅ Intro (00:00) ✅ How Robert and Jarin's careers have progressed since THE WITCH (01:14) ✅ Why there's lots of camera movement (05:31) ✅ Can historical accuracy hinder a project? (12:01) ✅ Challenges of the firey raid sequence (16:41) ✅ How to expose for low light scenes (20:53) ✅ Working through complex setups on set (23:06) ✅ Why larger crews can be more frustrating (31:25) ✅ How a "clean" look was achieved (34:06) ✅ Different ways of approaching night scenes (39:54) ✅ Working with actors in the raw elements outdoors (47:03) ✅ Filming with smoke and fire on set (51:18) ✅ Different ways of incorporating visual effects (52:50) ✅ Biggest lessons learned filming THE NORTHMAN (55:52) ✅ And more! Show Notes ➡️ https://gocreativeshow.com/the-northman-behind-the-scenes-with-robert-eggers-and-jarin-blaschke/ #Filmmaking #Cinematography #TheNorthman

EVERYTHING EVERYWHERE ALL AT ONCE is a gloriously, messy, genre-bending film directed by The Daniels and shot in only 36 days by Director of photographer Larkin Seiple. Larkin and Go Creative Show host, Ben Consoli, break down his visual approach to the different universes. Plus, we discuss how the multi-verse transitions were achieved, the inspiration for hot dog fingers, the many types of lenses used, working with tight budgets, driving 4 hours for a 1 minute rock scene, and much more. YOU WILL LEARN: ✅ Intro (00:00) ✅ Making sense of EVERYTHING EVERYWHERE as filmmakers (01:29) ✅ How to avoid overwhelming your audience (08:44) ✅ Visual approach to each universe (10:42) ✅ Why the Wong Kar Wai flashbacks were so challenging (13:46) ✅ Driving 4 hours to film the rock scene (19:32) ✅ Why so many lenses were used (22:12) ✅ Filming EVERYTHING EVERYWHERE in only 36 days (32:45) ✅ Choreographing all the fight scenes (38:09) ✅ How filming music videos translated to EVERYTHING EVERYWHERE (45:53) ✅ Shooting the multi-verse transitions (50:21) ✅ And more! Show Notes ➡️ https://gocreativeshow.com/everything-everywhere-all-at-once-cinematography-with-larkin-seiple/ #Filmmaking #Cinematography #EverythingEverywhereAllAtOnce

Marvel’s MOON KNIGHT and A24’s THE GREEN KNIGHT are filled with original and compelling cinematography thanks to director of photography Andrew Droz Palermo. We do a deep dive into Andrew’s visual approach for both projects. Andrew and Go Creative Show host, Ben Consoli, discuss why he avoided excessive close up angles, how filming handheld can motivate editing, what no one thinks about when filming in the desert, cinematography tricks to make someone look crazy, and so much more. YOU WILL LEARN: ✅ Intro (00:00) ✅ Learning from other cinematographers on a series (01:03) ✅ Avoiding excessive close ups (07:00) ✅ How shooting handheld can motivate editing (08:54) ✅ Why cinematographers should rehearse with actors (12:56) ✅ Setting yourself up for success filming 360° on set (18:11) ✅ What no one thinks about when filming in the desert (22:23) ✅ How to light scenes with only flashlights (27:32) ✅ Working with practical references for CGI elements (32:49) ✅ Why filming reflections is so challenging (35:15) ✅ Making someone look crazy with cinematography (39:58) ✅ Tricks to film duplicates of actors in camera (43:37) ✅ Cinematography of THE GREEN KNIGHT (46:27) ✅ Framing composition inspired by paintings (50:10) ✅ Why Arri DNA lenses were the clear choice (54:42) ✅ And more! Show Notes ➡️ https://gocreativeshow.com/moon-knight-and-the-green-knight-cinematography-with-andrew-droz-palermo/ #Filmmaking #Cinematography #MoonKnight

JURASSIC WORLD DOMINION brings the dinosaurs to the rest of the world in a terrifying way. Director of photography John Schwartzman ASC shares how the scare factor was pushed thanks in part to his amazing cinematography. John and Go Creative Show host, Ben Consoli, discuss shooting both on film and digitally, working with animatronic dinosaurs, the hustle of being a cinematographer, filming with iPhones, plus we break down some of the biggest scenes in the movie. YOU WILL LEARN ✅ Intro (00:00) ✅ Filming JURASSIC WORLD DOMINION during COVID (01:29) ✅ Why DOMINION was shot on both film and digital (09:15) ✅ Benefits of filming animatronics vs CGI (18:37) ✅ Working with the original cast from JURASSIC PARK (21:07) ✅ The hustle of being a cinematographer (24:05) ✅ Creating dinosaur "witness cam" footage with iPhones (30:08) ✅ Filming Claire hiding underwater from the dinosaura (36:32) ✅ Avoiding looking at a monitor while filming (41:33) ✅ Shooting the interior of Biosyn (45:06) ✅ Filming the Biosyn Locust scene (51:38) ✅ Using custom tuned lenses (58:16) ✅ And more! Show Notes ➡️ https://gocreativeshow.com/jurassic-world-dominion-cinematography-with-john-schwartzman-asc/ #cinematography #jurassicworld #jurassicworlddominion

OUTER RANGE keeps you on the edge of your seat with its dramatic, sci-fi focused storytelling and incredible visuals. Cinematographer Drew Daniels shares how he “steals” the great DP Roger Deakins’ lighting techniques as we deconstruct the show’s visual approach. Drew and Go Creative Show host, Ben Consoli, discuss collaborating with other cinematographers on a series, having a sense of humor with cinematography, the effects of camera movement on a scene, relying on practical lighting, and so much more. YOU WILL LEARN ✅ Intro (00:00) ✅ How OUTER RANGE is unconventionally science fiction (01:32) ✅ Collaborating with the other cinematographers (04:19) ✅ How to leave your cinematography mark (06:04) ✅ Why filming less gives cinematographers more control (09:48) ✅ Having a sense of humor with cinematography (15:20) ✅ Regretting the chosen aspect ratio (20:21) ✅ "Stealing" from Roger Deakins' lighting approach (24:32) ✅ Using practical lighting in cinematography (29:18) ✅ OUTER RANGE visual references (31:33) ✅ How camera movement perfected the rodeo scenes (34:51) ✅ And more! Show Notes ➡️ https://gocreativeshow.com/outer-range-cinematography-with-drew-daniels/ #cinematography #filmmaking #outerrange

Learn the masterful way that cinematographer Shawn Peters visually portrayed dementia in THE LAST DAYS OF PTOLEMY GREY on Apple TV+. Shawn and Go Creative Show host, Ben Consoli, discuss how to use different lenses and camera tricks to evolve a show's look over time, using broken glass to create stunning in-camera effects, how to create the perfect day for night, and more! YOU WILL LEARN: ✅ Intro (00:00) ✅ Working on an Oscar-winning project (00:55) ✅ Incorporating archive footage into a project (03:41) ✅ Did Will Smith's slap take away from winning an Oscar? (11:10) ✅ Establishing an evolving look to the series (12:54) ✅ Using broken glass to create unique in-camera effects (18:48) ✅ Portraying character development through different lenses (29:22) ✅ How to do a perfect day for night (41:15) ✅ Creating realistic moonlight (49:23) ✅ Lighting and filming realistic fire scenes (55:54) ✅ And more! Show Notes ➡️ https://gocreativeshow.com/the-last-days-of-ptolemy-grey-cinematography-with-shawn-peters/ CONNECT WITH US ON SOCIAL Instagram ➡️ https://instagram.com/gocreativeshow Facebook ➡️ https://facebook.com/gocreativeshow Twitter ➡️ https://twitter.com/gocreativeshow Website ➡️ https://gocreativeshow.com #Cinematography #Filmmaking #AppleTV

BETTER CALL SAUL cinematographer Marshall Adams shares how the show’s visual approach has evolved over its six seasons, plus we break down some of the final seasons biggest moments. Marshall and Go Creative Show host, Ben Consoli, discuss using choreographed dance actors in the season 6 opening scene, why the “ant macro shot” was so challenging, filming the beautiful desert vistas, how crew is affected by filming in the desert, and so much more! YOU WILL LEARN ✅ Intro (00:00) ✅ The emotional impact of filming the end of a show (02:07) ✅ Why the opening of season 6 was shot with dance actors (04:30) ✅ How to prep and film a oner continuous shot (08:16) ✅ Embracing new filmmaking technology (13:52) ✅ Creatively using smaller camera packages (17:28) ✅ Why the Alexa mini LF is the best choice (21:02) ✅ Complexities of filming an ant (24:22) ✅ Visual evolution of Better Call Saul (29:34) ✅ Capturing the breath-taking sweeping desert vistas (35:33) ✅ Visually communicating the journey of Saul (40:39) ✅ How BETTER CALL SAUL pays homage to filmmaking industry (43:36) ✅ How filming in the desert impacts film production (47:07) ✅ And more! Show Notes ➡️ https://gocreativeshow.com/better-call-saul-season-6-cinematography-with-marshall-adams/ #cinematography #filmmaking #bettercallsaul

Learn how cinematographer Simon Dennis BSC created an authentic and super saturated early 1980’s world for CANDY on Hulu. Simon and Go Creative Show host, Ben Consoli, discuss why he chose the Sony Venice and custom tuned lenses to create CANDY and how the look was inspired by William Eggleston and Napoleon Dynamite.  We also dive deep into the 1:66 aspect ratio, the challenges of working with child actors, how to make multi-camera look like single camera, and much more! YOU WILL LEARN: ✅ Intro (00:00) ✅ How color and saturation represents plot (03:35) ✅ Being influenced by Nepolioan Dynamite (09:15) ✅ Recreating the 1980s through cinematoraphy (13:18) ✅ Shooting with limited daylight hours (17:14) ✅ Why the 1.66 aspect ratio is important (20:10) ✅ Simion's approach to shooting wideshots (24:09) ✅ Creating a "vinyl" look with detuned lenses (30:31) ✅ Approach to lighting CANDY (36:25) ✅ Working with actor Justin Timberlake (40:32) ✅ Deconstructing the court room scenes (50:02) ✅ And more! Show Notes ➡️ https://gocreativeshow.com/candy-cinematography-with-simon-dennis-bsc/ CONNECT WITH US ON SOCIAL Instagram ➡️ https://instagram.com/gocreativeshow Facebook ➡️ https://facebook.com/gocreativeshow Twitter ➡️ https://twitter.com/gocreativeshow Website ➡️ https://gocreativeshow.com #Cinematography #Filmmaking #Candy